All VFX articles – Page 2
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Industry TrendsBehind the Scenes: Mission: Impossible - Dead Reckoning Part One
For a machine-tooled $290 million stunt-fuelled blockbuster it comes as a surprise to learn that the latest Mission: Impossible instalment was made with improvisation and experimentation at its core, reports Adrian Pennington.
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NewsMilk Opens VFX Studio in Barcelona
VFX studio Milk has opened a new studio in Barcelona, Spain.
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NewsRTS Craft & Design Awards 2023: Calling Skilled Entrants
The Royal Television Society (RTS), Britain’s top forum for television and related media, has opened entries for the RTS Craft & Design Awards 2023, to recognise excellence in broadcast television.
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News5 hot technologies to watch in 2024. See them at IBC2023
What are the key technologies that are shaping the broadcast industry today? From AI to DAI, discover more about them and listen to the experts at IBC2023.
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NewsMovieLabs Launches This Year’s 2030 Showcase Programme
MovieLabs has launched its 2023 Show Programme which will recognise organisations in the M&E industry that have successfully applied emerging cloud and production technologies.
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NewsMilk VFX Parent Bizet Media Acquires High Wire Post Production
Milk VFX parent company Bizet Media has acquired Dublin based High Wire Post Production.
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Industry TrendsBehind the Scenes: Prehistoric Planet II
BBC Studios and MPC worked with biologists and palaeontologists to translate scientific research into photoreal VFX and the visual grammar of a blue-chip wildlife doc, reports Adrian Pennington.
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NewsUK Culture Secretary Targets £50bn Creative Industries Growth
UK Culture Secretary Lucy Frazer has set out her ambition to grow the creative industries by £50 billion in GVA and to create a million extra jobs by 2030.
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NewsBlueBolt Expands Senior Management Team
London-based visual effects studio BlueBolt has expanded its senior management team, appointing Tracy McCreary, Henry Badgett and Nic Birmingham to its board of directors.
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NewsWilliam Laban returns to Framestore as VFX supervisor
Framestore’s London Advertising division has appointed William Laban as VFX supervisor.
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Industry TrendsNAB 2023 Preview: If Cloud Is The Answer, What Is The Question?
Cloud economics, AI disruption, environmental action and Xtended Reality are the big themes to watch at NAB 2023, writes Adrian Pennington
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NewsEverything Everywhere All at Once triumphs at Oscars with seven wins
Everything Everywhere All at Once claimed seven awards at the Academy Awards, including the coveted best picture prize and three of the four acting Oscars for stars Michelle Yeoh, Ke Huy Quan and Jamie Lee Curtis.
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Industry TrendsVirtual Production: A business case for better data use
The sharp ascendancy of virtual production has been a defining industry success story, but with issues around recruitment and the increasing pressure on efficient data management, there are many future challenges, writes David Davies.
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Industry TrendsOscars 2023: A look at Best VFX Nominees
The Oscars 2023 nominees for Best VFX have been announced, Adrian Pennington takes a deeper dive into the details behind the headlines.
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NewsMilk expands to France with opening of VFX studio in Bordeaux
VFX studio Milk is to open a new studio in Bordeaux, France in January 2023.
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NewsMPC restructures global leadership team
VFX house MPC is restructuring of its global leadership team, appointing several new key hires.
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NewsFramestore hires Ross Wilkinson as VFX super
Framestore has appointed Ross Wilkinson as VFX supervisor.
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NewsMilk appoints Steve Macpherson as chief technology officer
VFX studio Milk has appointed VFX industry veteran Steve MacPherson as Chief Technology Officer.
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NewsTerritory Studio expands in Europe with Munich facility
Graphics, design and VFX firm Territory Studio has launched a new studio in Munich, Germany.
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Daily NewsBroadcast mixed reality system launched
Mo-Sys bMR (broadcast mixed reality), a new category of product that combines an LED content server with a MOS controlled on-air graphics system powered by Unreal Engine graphics, is being launched at IBC.
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