Create & Produce – Page 3
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Executive InterviewsCraft Leaders: Edward Norton, filmmaker
Edward Norton has planned to adapt Motherless Brooklyn for over 20 years. But the actor, director and producer has been quite busy, he tells Adrian Pennington, as the film hits US screens.
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Executive InterviewsHow to tell a better story
Sound should be used to help editors tell the story. Sound editor Tormod Ringnes speaks to Carolyn Giardina about the impact of immersive sound technology.
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Executive InterviewsInterview: Michael Zink, Warner Bros.
Michael Zink of Warner Bros. tells Paul Bray about some of the emerging technologies that are making waves in the media industry, and reveals why he’s excited by the prospect of autonomous vehicles.
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Executive InterviewsInterview: Lisa Opie, BBC Studios
Bringing the BBC’s production arm into the commercial realm involves entering new partnerships, complex deal making and a desire to keep on innovating according to BBC Studios’ UK production head, Lisa Opie.
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Executive InterviewsInterview: Nuno Fonseca, Sound Particles
Applying the techniques of 3D video animation to sound creation could take cinema audio to a new level of realism, Sound Particles’ Nuno Fonseca tells Paul Bray.
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Executive InterviewsInterview: Dr. Oliver Schreer
Prior to his Monday conference session at IBC, ‘VR meets AR. Real and Virtual Space Become One’, Dr. Oliver Schreer talks to George Jarrett about his incredible 25-year research career in 3D and latterly VR.
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Executive InterviewsA question of scale
Since taking over as CEO of All3Media in 2015, Jane Turton has expanded the superindie through acquisitions and organic growth, with a strong focus on scripted and ‘quality programmes and people’. That’s because ‘scale matters’ in today’s complex TV landscape, she tells Insight.
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Executive InterviewsInterview: Colin Jackson, BBC
IBC2019’s Big Screen programme includes the Planet Innovation: A BBC Studios Natural History Showcase. BBC Natural History Unit’s Colin Jackson explains all about the genre.
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Executive InterviewsInterview: Stephen McNutt, DoP
From old school to new technology, DoP Stephen McNutt tells Alana Foster that the core skills in cinematography remain the same.
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Executive InterviewsBehind the Scenes: Toy Story 4
Pixar director of photography Patrick Lin explains how he brings a live-action filmmaking approach to computer animation.
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Executive InterviewsCraft Leaders: Lee Smith, Editor
Editing films is “very instinctual”, says Oscar winning editor Lee Smith
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Executive InterviewsInterview: Roland Sars, Media Distillery
Everybody is interested in AI but not many companies really have AI in production, says Media Distillery chief executive Roland Sars.
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Executive InterviewsBehind the scenes: Neither Wolf Nor Dog
Scottish filmmaker Steven Lewis Simpson on how he overturned conventional wisdom in making, marketing and distributing his Native American movie from the ground up.
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Executive InterviewsBehind the scenes: Men in Black: International
The MIB reboot opened last week. IBC365 goes behind the scenes with VFX Supervisor Alessandro Ongaro to find how he created a world with aliens living on Earth.
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Executive InterviewsCraft leaders: Paul Greengrass, Director
The director of Captain Phillips, United 93 and The Bourne Supremacy has condemned nepotism that holds back the UK’s film industry.
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Executive InterviewsSundar Raman: Learn to innovate like live cricket
Sports production needs to take innovations from cricket and lessons from the advertising world by putting consumers first, says Reliance Sport CEO Sundar Raman.
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Executive InterviewsCatch-22: How it was shot
American Society of Cinematographers’ (ASC) Martin Ruhe captures the insane heat of George Clooney’s satirical anti-war serialisation of classic Joseph Heller novel Catch-22.
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Executive InterviewsCraft Leaders: Polly Morgan, ASC BSC
For some cinematographers, it is the technical aspects that make them fall in love with the role. But for Polly Morgan, who’s credits include Legion, Inception and 6 Balloons, it was her love of colour.
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Executive InterviewsCraft Leaders: Asif Kapadia, director
In his latest documentary, director Asif Kapadia unearths the complex and sympathetic man behind the enigmatic Argentine football legend.
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Executive InterviewsCraft Leaders: Laura Jans Fazio, Colourist
Laura Jans Fazio explains how an interest in art and design led her to become the colourist for the likes of House of Cards, Mr Robot, and A Series of Unfortunate Events.
















