Create & Produce – Page 4
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Executive InterviewsCraft Leaders: Natasha Braier, Cinematographer
The filmmaker’s principal job is tell a story but the conventions of narrative can be a straitjacket for those like cinematographer Natasha Braier who believes in experimenting.
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Executive InterviewsBehind the scenes: Dumbo
Chris Lebenzon, Tim Burton’s regular collaborator in the edit room, explains how they brought their CG lead character to life
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Executive InterviewsInterview: Vera Bichler, ORF
Passionate about sports and storytelling, Vera Bichler speaks to IBC365 about being the first female football director at Austrian broadcaster ORF
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Executive InterviewsInterview: Black Mirror series designer Joel Collins
As series designer of Netflix’s Black Mirror, Joel Collins was integral to creating the look of the Charlie Brooker series. But after four series he has moved on to a new challenge – working on the hugely complex BBC/HBO adaptation of Philip Pullman’s His Dark Materials. He reveals how he ...
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Executive InterviewsInterview: Claire Hungate, Brave Bison
Changing the culture of production companies and breaking up the “boys club network” should be a top priority according to Brave Bison boss Claire Hungate.
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Executive InterviewsInterview: Mandy Walker, DoP
In the latest in IBC365’s series of interviews with inspirational women, director of photography Mandy Walker reflects on working on projects as diverse as Baz Luhrmann’s Australia, Ted Melfi’s Hidden Figures and Niki Caro’s upcoming Disney blockbuster Mulan.
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Executive InterviewsInterview: Carolina Costa, DoP
In the second in a series of interviews with inspirational women in the run up to International Women’s Day, director of photography Carolina Costa reveals what motivates her.
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Executive InterviewsMaryann Brandon: Editing with emotion
In the first of a series of interviews with inspirational female leaders in the run up to International Women’s Day, IBC365 spoke with Maryann Brandon about how she became an editor and what it takes to succeed in a male-dominated part of the industry.
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Executive InterviewsCraft leaders: Adam Gough, Editor
Roma editor Adam Gough on his route into the industry and what it was like working with Alfonso Cuarón on the Oscar-nominated film.
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Executive InterviewsInterview: Richard Halliwell, Atrium
A drama commissioning club for telcos, Atrium launched nearly two years ago with great fanfare and a mission to help regional telcos compete with global streamers for high-end drama projects. Tim Dams checks in on Atrium’s progress so far.
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Executive InterviewsCraft Leaders: Douglas Trumbull, Special Effects Supervisor
The VFX wizard behind movies like 2001: A Space Odyssey and Blade Runner, Douglas Trumbull has spent the last decade developing Magi, which can capture and show films at high resolution and high frame rates – and deliver the immersive experience he says cinema audiences are looking for.
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Executive InterviewsInterview: Jo Twist, Ukie
With esports growing fast, there are opportunities for broadcasters to get involved, the head of games trade body Ukie Dr Jo Twist tells IBC365.
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Executive InterviewsCraft leaders: Ben Davis, Cinematographer
Ben Davis’ extraordinary list of credits includes Marvel blockbusters through to lower budget gems. This year alone he shot multi-million dollar shows Captain Marvel and Dumbo, back to back. He talks to Adrian Pennington about the art of the Director of Photography (DoP), his influences and the future of cinematography
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Executive InterviewsCraft leaders: John Mathieson, Cinematographer
The craft of cinematography is at risk in this era of digitally shot films, warns Oscar-nominated DoP John Mathieson, whose latest films include Mary Queen of Scots and Pokémon: Detective Pikachu.
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Executive InterviewsCraft Leaders: Robert Richardson, Cinematographer
Three-time Oscar winning DoP Robert Richardson reflects on a career that has spanned 30 years, working with directors such as Martin Scorsese, Quentin Tarantino and Oliver Stone – and working in formats ranging from digital 3D to ultra-wide 70mm.
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Executive InterviewsInterview: Harry Miller, Editor
How many people does it take to cut a Hollywood feature film? More than one, in the case of The Predator, Editor Harry Miller tells IBC365.
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Executive InterviewsInterview: Catherine Blizzard, BBC World Service
Growing your audience means understanding not only what they want, but how and why they want it, says BBC World Service’s Catherine Blizzard.
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Executive InterviewsInterview: Andrew Dunne, BBC Studios
Andrew Dunne brought unique perspectives about high dynamic range and distribution to the IBC Big Screen session ‘HDR focus: Blue Planet II and The Grand Tour’. George Jarrett was able to dive deep and explore his point of view.
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Executive InterviewsInterview: Reed Kaufman, Fox Sports
Reed Kaufman is responsible for overseeing the entire post production ecosystem for all FBC Network remote events, specifically with jewel events like Super Bowl LI and the 2018 World Cup. The IBC conference was keen to find out the lessons Kaufman has learned from the experience.
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Executive InterviewsInterview: Jack Watts, Deluxe Technicolor
Jack Watts doesn’t shy away from having strong opinions about Digital Cinema Packages, demanding clients and film industry politics. IBC365 got his thoughts on these topics and much more.
